The English painter’s relish for subcultures took him across genres and continents.

The Third Reich sought to cleanse Germany of "decadent" art. Maybe it's just a history lesson with no relevance ...

The Nazis loathed modern art. They launched a war against it. “Degenerate Art,” an exhibition in Paris on modern art’s greatest crisis, is about culture wars and where they can lead.

The quote is from a painter and printmaker, Otto Dix, who is represented at the Neue Galerie by two inescapable canvases, “Dr. Mayer-Hermann” (1926) and “Reclining Woman On a Leopard Skin” (1927).

The Minneapolis Institute of Art (MIA) honors the work of German artist Otto Dix in a new exhibition for the centennial anniversary of his portfolio of prints, showing the horrors of the frontlines of ...

Otto Dix, a painter labeled ... (interviewed by the art historian Sabine Rewald), ... Goyaesque prints he titled simply “The War.” Dix painted Mayer-Hermann in 1926.

Otto Dix, “Untitled” (1918), watercolor in gray and black over pencil, 15 5/8 x 13 5/8 inches, Los Angeles County Museum of Art, purchased with funds provided by Harvey S. Shipley Miller/The ...

A century after Otto Dix’s First World War painting The Trench (1923) provoked an outcry when it was displayed at the Prussian Academy of Arts in Berlin, the institution's successor, the Germany ...

Spotlight: Works by Otto Dix, Gabriele Münter, and Max Beckmann Anchor an Expansive Exhibition on German Expressionism in Nuremberg "The Pillars of Modernity" is on view at Bode Galerie.

80 x 60 cm. (31.5 x 23.6 in.) Josef von Sternberg Collection (1935 the latest until at least 1949, presumably until at least 1960). Salander O'Reilly Galleries, New York. Serge Sabarsky Collection ...

War art exemplified the artist’s skill and glorified battle. ... The German Expressionist painter Otto Dix drew on his own war memories to produce remarkable work in the same frank tradition.