By combining these two formats, Coogler can draw viewers deeper into the story – literally. The choice to switch aspect ratios during the film facilitates dynamic changes in how scenes are experienced ...

Italian director Alice Rohrwacher, whose works “The Wonders,” “Happy as Lazzaro” and “La Chimera” competed in Cannes, will ...

Sarah Jones, a camera assistant, died in February 2014 after she was struck by a train on the set of the canceled Gregg ...

“ Metallica Saved My Life ” premiered at Destiny USA in Syracuse on Friday, the night before the band’s concert at the JMA ...

The actors and episode helmer Haolu Wang discuss season seven’s second feature-length episode, from its “San Junipero” ...

JFilm Festival, hosted by Film Pittsburgh, is heading to theaters April 24 to May 4. The 32nd installment of the festival ...

Cinematographer Autumn Durald Arkapaw didn’t realize she was going to make history on “Sinners.” The Ryan Coogler film, now ...

Maahir Khan, son of acclaimed director Feroz Abbas Khan, opens up about his debut documentary Buzz, streaming on JioHotstar.

Making a movie is an inherently political action. Realism doesn’t negate that truth, and the fact that Garland and Mendoza ...

The Canadian director reflects on body horror, Trump, Elon Musk, legacy and his new movie “The Shrouds” — and whether it ...

Directors Bethany Rooney and Mary Lou Belli first teamed up 15 years ago to share their experiences in the moviemaking guide ...

Ryan Coogler's first non-franchise, sole-writing-credit film in 12 years is a vampire thriller with a killer soundtrack ...