Discover how Premiere Pro and After Effects were used to create 'Eno,' the world's first generative film, offering a unique ...
Adobe After Effects is pretty much the default software for motion graphics, but you can't overlook the fact that it's ...
Motion designers and video editors have been blending 2D and 3D elements in Adobe After Effects for years, through the use of ...
Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Vancouver-born producer ...
As with so much in the realm of visual effects, there are a myriad of methods and tools that can be utilised to achieve the same end results. If you’re looking to add atmospheric effects such as ...
If you’re looking to add atmospheric effects such as lightning to your scenes it can be much too easy to think in 3D and try to add splines with animated paths, set up emitting materials and so on.
Five years on, scientists are starting to understand how the virus can lead to long-term, sometimes invisible changes. Credit...Ibrahim Rayintakath Supported by By Dani Blum Nina Agrawal and Alice ...
Amid his newfound role as unelected government wrecker, Elon Musk's use of the powerful tranquilizer ketamine is once again in the press. Back in 2010, English psychopharmacology researcher Celia ...
Clifton native Rachel Zegler presented the award for best Visual Effects at the Oscars on Sunday night. Other New Jersey natives took the stage at Dolby Theatre including Sean Baker who won ...
For British Columbia visual effects supervisor Stephen James, winning an Oscar for his work on “Dune: Part Two” felt something like getting swept up in the swirling sandstorms of Arrakis.
Namit Malhotra, founder of Prime Focus, CEO of DNEG, and producer of the highly anticipated film Ramayana, has won the Visual Effects Oscar at the 2025 Academy Awards. DNEG, the renowned global visual ...
Accepting the visual effects Oscar for “Dune : Part Two,” production VFX supervisor Paul Lambert acknowledged the contributions of the film’s VFX vendors, including DNEG and Wylie Co. as ...