What’s on Edinburgh’s stages this week? Not a lot, to be honest. Three one-off performances equates to not so much a lull before the storm that is the Edinburgh Fringe, but a full-on becalming. The ...

The Bohemians open their limited run of Priscilla, Queen of the Desert – The Musical at the Festival Theatre to a standing ovation, with a production full of glitz, glam, disco, and heart.

There’s a world premiere performance from Rambert for dance fans, the last stop in a big touring musical and a couple of top tips from the local amateurs. The big news is at the Festival Theatre, ...

C Theatre have two contrasting reworkings of the Bard in Shakespeare for Breakfast at C aurora and Shakespeare Up Late – A Right Royal Visit at C aquila. While there are differences in tone and intent ...

A giant inflatable sculpture of a Skywalker Gibbon looks set to be the largest animal addition to the Fringe since Underbelly plonked its upside-down purple coo into Bristo Square.

Half Trick’s Waiting for Wonka at Augustine Church has plenty of ideas, excellent staging and some genuinely terrific performances, but never quite convinces in the way it threatens to.

Grease is a raucous, riotous classic of 1970s American musical theatre, and this new co-production between Pitlochry Festival Theatre and Blackpool Grand Theatre is packed with heart, soul, and ...

Ballet Black: SHADOWS ★★★★☆ Haunting Ballet Black’s SHADOWS, a double bill of new work seen at the Festival Theatre and then going on tour through the coming autumn, is a darkly compelling exploration ...

After 545 days of darkness, the Playhouse stage lit up last night with a crisp and swinging production of Dolly Parton’s 9 to 5 The Musical, which is playing through to Saturday.

It’s not just one of us who was pleased to have Mamma Mia! back on the Edinburgh Playhouse stage – an air of expectation and excitement filled the entire auditorium for Friday’s show.

There are plenty of memorable tunes to match the high production values of Northern Stage’s The Last Ship, at the Festival Theatre until Saturday then touring to Glasgow.

The Great Gatsby is an extraordinarily difficult story to adapt, but Elizabeth Newman has done it, in a dazzling, hopeful, forlorn and febrile production, helmed by Sarah Brigham and co-produced by ...