Brady Corbet’s film follows Hungarian-Jewish architect Lazlo Toth, whose architectural vision is shadowed by a life of loss.
Bob Pang set out on a mission to discover the forgotten story of brutalism in Hong Kong. Now with the publication of the bilingual Brutalist Hong Kong Map, he’s hoping to engage a global community of ...
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Hosted on MSNMultitude of Sins founder revamps own apartment with "interplay of artistry and function"Multitude of Sins founder Smita Thomas has used brutalist forms and whimsical elements to overhaul her duplex apartment in ...
Unconventional interpretations of the design classic are making sexy, sculptural statements in chic homes around the globe ...
The actor, 57, recently earned an Academy Award nod for best supporting actor in The Brutalist, but he got his start on the popular Australian soap opera Neighbours in the 1980s. He played teen ...
The Brutalist is the third collaboration of director, producer and co-writer Brady Corbet and cinematographer Lol Crawley in the past decade, following 2018’s Vox Lux and 2015’s The Childhood ...
The Brutalist is the story of modern America’s derision of art, of any creative endeavour that has no immediate monetary value. America has no place for a man of Laszlo’s ilk, for defiant art ...
The film’s inception and production mirrors some of the central character’s struggles to stay true to his art when big money comes on the scene. He is commissioned, at great expense, to create a ...
Critics were not kind to Coppola's film, but a much warmer reception greeted Brady Corbet's The Brutalist ... but particular roles in film: The art of architecture, when spotlighted, is frequently ...
While “The Brutalist” checks in at three hours and 35 minutes, it’s not the longest film ever nominated – that honor goes to “Cleopatra,” which went over the four-hour mark – but it ...
The producer behind Oscar frontrunner The Brutalist has asked that the audience not “diminish a truly terrific film from a gifted filmmaker” over the revelation that it employed AI tools. The film’s ...
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